This German sewing magazine, brand new this year is fast becoming one of my favourites – here’re 5 reasons why.
1) It’s Good Value for Money
For just six euros, each monthly issued is packed with over 30 patterns including traceable pattern sheets.
2) Trendy, Modern and Classic Styles in a Range of Garment Types
Each issue includes a range of tops, skirts, pants and jacket patterns in modern styles and a range of sizes including plus sizes.
I particularly like the recurring feature of one pattern, five ways which shows one pattern in five different fabrics and ways to style it.
3) Includes Added Extras
The magazine has bonus features such as ‘how-to’s’ for accessory making and tips and trends showcasing new products on the sewing market.
There’s also a knitting pattern and ‘how-to’s’ for home crafts included.
4) Styles and Designs for Range of Sewing Skill Levels
Patterns are rated according to sewing skill levels and each issue includes a range of patterns from beginner to advanced sewer levels.
Also there’s a helpful section at the start of the pattern instruction booklet with diagrams and explanations of basic sewing techniques, tricks and tips such as zip and sleeve insertions, seam finishes, waistbands, etc. Useful for sewing beginners.
5) Pattern Drafting 101
Another regular feature in each issue is the inclusion of a pattern drafting exercise and demonstration using a garment seen on the catwalk as the design inspiration.
The only downside of this magazine for the majority of English speaking sewers is that it’s only available in German at the moment. Although with some sewing experience and Google translate, I think this magazine is accessible to most sewers.
I think this magazine’s worth checking out! Here’s the cover jumpsuit pattern from this issue that I’ve made using organic twill cotton self-dyed with natural indigo.
Happy sewing and wishing you a good rest of the week,
For July only, I’m selling German sewing magazines. I feel fortunate here in Germany that I’ve got access to many sewing magazines and resources but I realise that it’s not easy for all of us to get them so I’d like to level the playing field and make them available so we can all benefit from them.
Over July I’ll blog pattern reviews and peaks inside the mags.
I hope you find this service useful and please let me know if there’s a magazine that you’re interested in that I’m not featuring.
Let me explain with a story I heard recently about Spanx founder, Sara Blakely.
As a young girl, the father of Sara Blakely, the founder of famous shape wear brand, Spanx, would ask her, how many times she’d failed that day. He wasn’t interested in the things that’d gone well but in the things that hadn’t. It wasn’t that he wanted to dwell on negatives but rather that ‘failing’ is a sign that you tried something and if you don’t try and fail and learn from your mistakes, you can’t grow and improve at what you’re doing. Sara credits this habit of acknowledging and analysing the ‘failures’ over the ‘successes’ for what made her persist and achieve the success she has with Spanx. She pushed through many failed attempts until she had a product that worked. This concept resonates with me and my attitude towards my sewing.
My #MMM15 challenge this year was to only post garments made with organic fabrics. I can remember a time in Germany when you could only buy beige, cream or brown coloured organic fabrics and the choice was really limited. Now you can buy a vast array of colours and types of fabric, the choice is growing all the time. I was curious to see if I could make everything I wanted to make using organic fabrics.
I’m satisfied with the quality and variety of organic fabrics I’ve got and the range of garments I’ve made but I’ve played it safe with styles. I latched onto the Linden sweatshirt pattern for instance because the pattern is easy to make and conveniently fast to squeeze into my limited sewing time. But as much as I like the pattern, I ended up remaking it countless times rather than moving on and challenging myself to make something more technical – trying something different. Overall my makes from #MMM15 were ‘safe’ style-wise but I want to shake things up and make more exciting stuff.
So my take away from this year’s #MMM15 is to make and fail more. I need to give myself more space to mess up. I often worry whether styles are age appropriate for me and if they show my old gnarly knees etc, LOL but I need to get out of my head and onto my sewing machine more and experiment. As well as admit I’ve been sewing for years now and it’s time I pushed myself to use more difficult sewing techniques. I’ve got many failed garments that I haven’t shared because they disappointed me. I wanted to discard and forget about them but I need to accept them as learning experiences and learn to embrace them instead.
So my new post-#MMM15 pledge is: ‘FAIL MORE!’.
How about you? How many times have you ‘failed’ today? How are you pushing yourself out of your comfort zone? I’d love to hear in the comments below.
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Me Made May 2015 kicks off today and this year I’m showcasing my everyday organic wardrobe.
I joined Me-Made-May last year and loved it! It’s a great way to connect with other sewists and share wardrobe creations – but it was a lot of ‘work’ to get the pics!
This year, I may not manage a pic every day but I’ll post a weekly roundup on the blog and pics on Instagram @yosamicontact.
Over the last twelve months, 98% of the fabrics I’ve bought have been organic so a fair chunk of my me-made wardrobe is organic, so to keep things interesting, I’ll only post clothes I’ve made with organic fabrics.
For this rainy and chilly May 1st, I’m wearing this cosy Tala vest by Named Clothing in organic cotton fleece and sequinned wool coating and Alexandra Peg trousers by Named Patterns in organic super lightweight cotton denim. It’s a comfy outfit, with a bit of sparkle but still practical at the same time.
I’m a recent convert to Named Clothing. I’ve been trying out their patterns after picking up a few in their last sale. I’d been put off buying them before because they’re one of the pricier pattern companies. Some of their patterns are double or triple the price of Vogue patterns in a sale for example or Burdastyle magazine and I couldn’t justify splashing out on them.
I was also apprehensive about the sizing because they’re drafted for taller models than me – I’m a 162cm shorty. But now I LOVE Named Clothing and I haven’t had any problems with their pattern sizing, so expect a few more patterns from them as the month goes on!
What do you think of Named Clothing patterns? Are you in for this MeMadeMay15 challenge? Let me know in the comments below.
And if you’d like to stay updated (it’s free) with latest info and blog posts from this blog, then sign up for the YoSaMi newsletter by leaving your email in the box at the top of the sidebar.
It’s been like summer here in southern Germany this last week. We were collecting Easter eggs in freezing conditions with a few flakes of snow a couple of weeks ago and yesterday we were basking in 28 degrees sunshine. Spring’s often like that here. Suddenly you’re packing away your woolies and trying to remember where you left your sunglasses months ago and rushing to buy sun cream.
The Japanese take sun protection very seriously. At least they did when I lived there. My husband’s Japanese and whenever we see his family I’m reminded about sun care. Products designed to block sun exposure are everywhere in Japan, from UV cutting face creams and cosmetics to umbrellas and hats. And this care and attention to maintaining pale skin seems to pay off. Many elderly women in Japan have the most beautiful wrinkle-free and flawless complexions. It’s inspiring.
When I first went there in my early twenties, I was admired for my pale skin. I felt colour-less and washed-out looking but for the Japanese it was the goal. You only have to look at the traditional make-up of the Geisha to understand the white-skinned beauty ideal of the Japanese. Now in my mid-forties, every time I catch a glimpse of myself in the mirror and shudder, I wish I’d adopted more of the Japanese sun-protecting ways over the years LOL.
I did learn the necessity of finding a good sun-hat though. Many people don’t wear sun hats here in summer and there aren’t a wide selection available to buy, so on my last visit to Japan I picked up this Japanese hat-making book so I could make my own.
‘Adult’s and Children’s Hats’ ISBN978-4-529-04977-1.
It’s helpful for novice hat-makers like me because it offers patterns that gradually build in difficulty from basic level to advanced allowing you to progress as you gain skills and confidence, to making more complex styles.
It also has patterns for children and adults in a range of sizes so I’ve been able to make hats for myself and both of my daughters from when they were toddlers till school age for the last couple of summers.
I first made this simple make for my older daughter. It’s one of the entry-level patterns and comes together really easily.
It’s been well-worn and has now been passed on to the younger daughter.
Last summer I let my daughters choose the pattern they’d like because I wanted them to like and wear their hats. They both went for this style below with a small brim all the way around – not the most sun-protecting model in the book but I decided that if my daughters were happy to wear them, then they’d be better than no hats.
This design is a level two hat and slightly more complex to make than the first because of the split brim and multi-pieced segmented crown. It’s still do-able, just with more pattern pieces.
I used Liberty tana lawn cotton on the back underside of the brim to give the hats a fun contrast when the brims are flipped up. I got the Liberty fabric from Shaukat’s online shop in their crafter’s section. I bought a pack of smaller fabric pieces in a variety of prints and they’re perfect for using on smaller projects such as these hats.
I made one of the book’s second level intermediate sun-hats for myself.
I used linen for the outer layer and an organic cotton batiste for the lining and a hat band I bought in Japan. The hat band makes all the difference in keeping the hat’s shape but the grosgrain ribbon I used for the children’s hats also works well.
It was still relatively easy to do but the side pleat added an extra challenge.
I thoroughly recommend hat making. It’s satisfying because it’s relatively quick to do and sun hats are everyday items that get lots of wear in the summer – at least they do in our family.
Some people are put off by hats but I believe there’s a hat shape for everyone and this book covers many different styles to suit different face shapes and activities.
Hat Making: What You’ll Need
You don’t need special tools or materials to make these hats but you’ll need a lightweight woven lining fabric such as cotton batiste and either a grosgrain ribbon or ideally a hat band for the inside. I’d recommend using sturdy light to medium weight woven fabrics for the outer hat layer such as lightweight denims or linen. You’ll also need lightweight interfacing for the brims.
What’s your favourite summer accessory to make? Let me know in the comments below.
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1) A pair of ramie lace and linen dungarees in European size 38.
2) Two unique pieces of sewing blogging history! Original sketches by Lauren of Lladybird.com! Collectors items for sure!!
These are for sale individually so please make sure to say which one you’d like to have in your bid – Lady in Grey or Lady in Red Coat.
How to Make a Bid
Bidding is easy, just make your bid and leave a contact email in the comments below. If you have any problems, please shoot me an email at yosamicontact.com or leave me a comment on @yosamicontact on Instagram.
This auction will be live for one week. I’ll announce the winners at 09.00 CET on Monday 9th March 2015.
Once the winners have been contacted, please make the payment to #teamirfon at JustGiving.com and leave a message stating it’s for the Turia auction and which item you’re buying and once this is confirmed, I’ll contact you by email to organise shipping payment via Paypal.
I’ll post the details of making the lace dungarees in my next post.
Irfon Williams Update
This has been a challenging four weeks for me and my sewing for this is now over but Irfon’s fight continues! He’s been denied the drugs that he needs by the Health Authority in Wales because the National Health Service in Wales doesn’t have a cancer drugs fund. His story has now been picked up by the Welsh BBC national media and is being discussed in the Welsh government so hopefully this problem that affects many cancer patients in Wales can be addressed.
In the meantime Irfon is moving to England in the hopes of getting the treatment he needs there. Characteristically of Irfon, he’s still positive and hopeful and has been posting his favourite tunes on Facebook. Here’s one of my personal favourites – Our House by Madness!
Irfon, rock on my friend, we’re all behind you!!
GOOD LUCK and HAPPY BIDDING!!!
This auction is now CLOSED.
Thanks to all the bidders and congratulations to Tom, the dungarees are now yours for 65 euros and Aubrey has the fashion sketch ‘Lady in Grey’ for 20 dollars.
Would you both now please pay at justgiving.com – you can click the link on ‘pay’. Please leave a comment with your donation and say that it’s for this auction and once that is processed, we’ll organise shipping.
Thanks again to all those who took part and good luck to Irfon and his family – we’re rooting for you!
I’m almost done with the #aweekofturias challenge!
It’s my final week of the #aweekofturias challenge to raise money for the #teamirfon cancer charity appeal on justgiving.com. Please sponsor mehere.
I’ve now made six pairs of the Turia dungaree pattern by Pauline Alice and last week I made a discovery – by reducing the size of the digital pattern printouts, I could also make dungarees for my young daughters!
I enjoyed some unselfish sewing and my daughters were also pleased to get some new clothes. They literally ripped the finished dungarees out of my hands, they couldn’t wait to wear them! A rare happening!
Resizing the digital pattern by reducing the print out size isn’t a perfect science as the proportions of a women’s body and a child’s body are different. However by calculating what proportion of the length of my torso my daughter’s torsos are and printing the patterns that size, the dungarees worked out fine. The fit’s good on both children. The gentle curvature of the hips of the Turia pattern isn’t that noticeable on my children and besides, in this relaxed style of pants, a little extra room in the body is welcomed by active kids.
For my almost-seven-year old daughter, I printed the pattern at 75% and cutting out size 38.
I used Liberty Art Fabrics baby cord for both pairs of dungarees. It was very easy to work with and the fabric’s so soft, it’s perfect to make comfortable clothing for children. The busy fabric pattern is also handy for disguising sewing mishaps such as not-as-neat-as-they-should-be topstitched seams and spills etc. when children are wearing it!
It was my younger daughter’s fourth birthday last week so we all wore our Turias for her party – that’s her in the above photo waiting for her party guests to arrive.
One of the main features of the Turia dungaree pattern, is the flat-felled seams and lots of topstitching. I used the same light grey topstitching thread on both of these dungarees. I chose not to use contrasting topstitching thread on my last denim pair of Turias, because I didn’t want to distract from the exposed denim selvedges.
For my four year old’s dungarees, I printed the pattern out at 67% and cut out size 40. I reduced the seam allowances to about one centimetre instead of following the one and half centimetre seam allowance in the pattern, in accordance with the pattern resizing.
This final week of the #aweekofturias challenge, I’m making the pair of dungarees that I’ll be auctioning, so stay tuned.
Here’s a sneak peek of the fabric.
These’ll be my most challenging-to-make pair yet in but I’m hoping they’ll be unique and worthy of your bid!
Please go to justgiving.com, #teamirfon and sponsor me if you haven’t already done so. I’d also like to thank the people who have sponsored me, I know Irfon will be happy!
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(Irfon and Becky’s Motto – Quote taken from Becky Williams, Irfon’s wife’s Facebook page.)
This week I finished my fourth pair of Turia dungarees by Pauline Alice Patterns. I pledged just before World Cancer Day to sew #aweekofturias, seven pairs by the end of February 2015 to raise 250 euros for my friend, Irfon William’s cancer charity. I’ll be auctioning the final pair at the end and donating the proceeds to the charity, so stay tuned.
Before I share the pattern deets, let me tell you a little about my friend Irfon and why I want to help him.
Irfon and I worked together many years ago during our Group Study Exchange trip from the UK to the USA with Rotary International. The exchange programme enables professionals to travel abroad and teach and learn more about their field of expertise.
We were a group of five – four non-Rotarians and one Rotarian. The month long trip was intensive. We visited many places – ranging from prisons to funeral parlours, disused coal pits, court houses, even the United Nations on our whistle-stop tour. It was a cultural eyeopener and we were generously welcomed into the homes of many host families and escorted around and treated like royalty. We attended countless meetings and gave many presentations but most of all, we had a lot of fun.
Our group gelled from the get-go and we shared many belly-laughs – you know the ones that make your sides hurt! It was often Irfon who set us off giggling, he’s such a warm, funny guy.
I have many fond memories of that trip and the time we spent together when we got back to the UK – lifelong friendships were borne. The exchange was one of those ‘once-in-a-lifetime’ opportunities that I feel very grateful and richer for doing.
The motto of Rotary is ‘Service Above Self’ and Irfon embodies this. He’s a trained mental health nurse and an involved father to his five children. When Irfon got bowel cancer, him and his wife Becky, set up the #teamirfon charity because Irfon was inspired by the other cancer patients and he wanted to raise funds ‘to create good times and to thank the staff on the Alaw cancer unit of their hospital who support the cancer patients during the bad times’.
It’s heartbreaking to think of him sick. We’re the same age and the youngest two of his children are about the same age as mine but Irfon’s attitude is – ‘let the good times roll’ – and his zest for life is contagious!
Irfon’s and Becky’s positivity has inspired over 1,100 folks to join #teamirfon on Facebook – that’s the equivalent of 8% of the entire population of the Welsh town that they live in! They’ve raised over 65,000 British pounds, smashing the original target of 20,000 pounds and the money’s still coming in! It’s an incredible achievement and testament to Irfon and Becky’s amazing characters!
It may not seem much of a hardship to sew seven pairs of dungarees but this week it was so cold here, my hands dried out and my skin cracked and my knuckles were bleeding while I was sewing!
It’s carnival here now as well and I’d promised my two little daughters that I’d make them costumes but I won’t have time because I want to make these pants to help Irfon. My daughters understood and didn’t create any fuss. They said they’re happy to wear the costumes they’ve already got! They’re only three and six years old – it was a very proud-mummy moment!
The Turia Dungaree Pattern Deets
For these shorts I used up the leftover denim from my first Turias and a little of the leopard print from my third pair to face the straps.
The good news is, I managed to squeeze a regular pair and a pair of shorts out of just two metres of denim! I had to get creative though to maximise my usage and used the denim selvedge as a design feature on the pockets.
I enlarged the back pockets by printing the back pocket pattern piece (page 16) at 125%. I then cut the pocket pattern piece into thirds because I didn’t have enough fabric to cut two out whole. Again I tried to turn this into a design feature, which I find happens so often in garment sewing.
I only used one side zip which seems a standard Turia pattern edit, but other than these minor alterations, I followed the pattern completely.
I’m so excited about the final pair that I’ll be auctioning! I hope I haven’t bitten off more than I can technically chew – my fabric choice is challenging to say the least! I’ll be revealing some sneak peaks on Instagram so go to @yosamicontact #aweekofturias to follow along.
Anyway, I’ve been wearing my Turias a lot and following the posting of a pic of my third pair on Instagram, a bit of online banter with Kirsty (who’s as ‘top notch’ in person as her blog name BTW) made me decide, it’d be fun to make a pair for every day of the week.
Then I thought, it’d be even better if I could turn my Turia challenge into a fundraising drive for my friend Irfon Williams, who’s being treated for cancer, and his charity to support the mental health of cancer patients.
So the plan was hatched.
The #aweekofturias Challenge
The plan is simple. I’ve already made three pairs of Turias and I’m pledging to make four more by February 28th. I’ve made on average, a pair per week so far, so hopefully this is manageable.
I’ll post the completed pairs on the blog each week as I finish them and I’ll put some progress pics on Instagram – you can find me @yosamicontact.
On Monday March 2nd, I’ll hold an online auction of the final pair on Instagram (more details nearer the time) – don’t worry if you’re not on there, you can also leave a bid in the comments section of the blog post. The Turias will be in Pauline Alice Patterns size 38 and will be in a yet-to-be-determined style and fabric – I’ll try to keep them as interesting as I possibly can!
How Can You Help?
You can help to spur me onto the finish line by donating to the #teamirfon registered charity on the JustGiving website and by joining the online bidding for the final pair.
I’d also love to have company making Turias, so let me know if you’d like to join me in the comments below. Also if you’d like to donate some unloved makes or surplus sewing supplies to the online auction, that’d be awesome too.
I thank you in advance for your help, it’s so appreciated and I know that it’ll make Irfon happy!
As the jumpsuit trend continues in ready to wear, more jumpsuit sewing patterns are springing up on the market, but with so much choice, it’s difficult to know which one to buy.
The good news is, I’m a ‘jumpsuit-a-holic’ and I’ve done a lot of the researching leg-work for you. Here’s my roundup of three of the best sleeveless jumpsuit patterns available at the moment, I hope they give you some jumpsuit ‘food for thought’!
You’ll notice that Simplicity 1325 isn’t strictly a jumpsuit pattern, at least Simplicity doesn’t market it as one, but, trust me, it has the ‘bones’ of a jumpsuit. (Skip to the end of this post to find out how to make this).
Now grab yourself a cuppa’, get yourself comfy and let’s get on with this ‘jumpsuit-athon’.
1. Style – all make a sleeveless v-necked jumpsuit and produce a similar looking silhouette.
2. Fabric – all can be made in a variety of fabrics.
3. Sizing – all available in a variety of sizes.
4. All are fairly easy to make.
1. Paper vs. Digital Download patterns – Simplicity 1325 and McCall’s M6083 are traditional paper patterns, by established pattern companies, that need cutting out or tracing and both include 1.5cm seam allowances.
Ralph Pink RP070 is by an independent pattern designer, that’s available as a digital download PDF that needs printing out, taping together and cutting out or tracing. Or you can pay a professional printer to print out the ‘copy shop’ version of the pattern for you. This pattern includes one centimetre seam allowances.
2. Price – McCall’s M6083 $11.95 plus postage;
Simplicity 1325 $10.75 plus postage;
Ralph Pink RP070 9.99 British pounds.
3. Pattern Instruction Languages – Simplicity 1325 and McCall’s M6083 pattern instructions are available in various languages whereas RP070 is only available in English.
4. Pattern Construction – Simplicity 1325 and M6083 have separate bodice and pants pieces whereas RP070 consists of four long main jumpsuit pieces – two front and two back. The upper back yoke is faced.
The separate bodice and pants pieces of the Simplicity 1325 and M6083 offer you more flexibility and freedom to design because for example you can use different fabrics for the bodice and the pants.
With RP070 on the other hand, the options to use contrasting fabric are limited to just the neck band, back bodice yoke and belt which limits the design possibilities.
5. Pockets – McCall’s M6083 has side front pockets in the pants, whereas Simplicity 1325 and RP070 don’t have any pockets.
6. Bodice Finishings – Simplicity 1325 has a lined, fitted bodice with a neck facing.
I also lined the pants by cutting the bodice and pants pieces out of my lining fabric and sewed them together in the same way as I did with the main wool fabric pieces. I then sewed the lining jumpsuit and the wool jumpsuit together, with right sides facing at the neck and arm openings. Then I turned the lining to the inside and under stitched it. I then treated the two layers as one and sewed the zip on top of the lining on the inside of the back of the bodice.
M6083 has an unlined bodice with neck facings and narrow hemmed armholes. RP070 isn’t lined and has a neck band (tutorial for how to make this neck band in a fabric with a directional print – coming soon) and armhole facings.
7. Waistlines – Simplicity 1325 has a fitted high waist where the bodice joins the pants. The bodice and pants have darts front and back. This makes a fitted bodice so I suggest making a muslim to check the fit before you cut into your fashion fabric. I had to reduce the seam allowances on the side seams slightly at this point to get a good fit.
McCall’s has an elastic casing along the seam where the bodice joins the pants at the high waist point. I omitted this elastic casing and use the self fabric belt instead to highlight the waist. Next time I make this, I’ll also lengthen the bodice pieces by a couple of centimetres to allow a more relaxed blouson effect of the mock-wrap front bodice.
RP070 drapes and gapes open at the front and is closed with a button fly (I used press studs instead) and a belt but the pattern has no waistline seam. The pattern pieces do narrow at the waist though which gives some waistline shaping.
8. Suitable fabrics – RP070 and McCall’s M6083 are designed for lightweight fabrics – I used shirt-weight cotton for both and a linen/cotton mix fabric for my second RP070.
Simplicity 1325 is more suitable for medium weight fabrics – I used a trouser-weight wool with a viscose lining.
9. Style – RP070 and Simplicity 1325 produce jumpsuits with deep v-necks that need something worn underneath.
McCall’s M6083 has a high cut v-neck which I can get away with wearing on its own.
All of the jumpsuits have fairly wide legs although RP070 has possibly the slimmest leg width of the three patterns.
10. Sizing – Simplicity 1325 and McCall’s M6083 have multi-sized tiled patterns, meaning all the sizes are on one pattern sheet, which makes grading between sizes easier. Plus the more generous 1.5cm seam allowances give you a bit more freedom to let out or take in seams to improve fit.
RP070 is also multisized but once you’ve chosen which pattern most closely fits your measurements, you print out the corresponding sized pattern and you only have one size on each pattern printout. This makes grading between sizes more difficult with RP070 and the smaller 1cm seam allowances don’t give you much room to make fit adjustments either.
I chose the pattern sizes which most closely matched my body measurements for all of the jumpsuits and found them to be fairly true to size.
I recommend all of these patterns and have happily worn my versions of all of them – a lot!
McCall’s M6083 is a good summer jumpsuit because it can be worn as a stand alone piece and can also be made from jersey – the only pattern of the three which can. The pockets are useful and the design is flattering.
Simplicity 1325 offers the best value for money because you get almost a whole wardrobe of pattern possibilities in one package – a jacket, pants, skirt, dress, long-sleeved top and an unofficial jumpsuit.
The deep v-necked front bodice is flattering and the design is closest to one of my favourite designer jumpsuits – this Luciano Soprani one below. It’s a pity Simplicity 1325 doesn’t have pockets though!
I’ve made RP070 three times and worn them year round. The layering possibilities of Simplicity 1325 and RP070 offer good year round wearing options.
The Simplicity 1325 jumpsuit is simple to make. Here’s how:- Sew the bodice and pants pieces together following the pattern instructions for the jumper/dress C/D by substituting the skirt pieces for the pants pieces. Then put a zip in the back of the bodice long enough to extend from the neck edge of the bodice down into the pants (for me the zip extends 17cm into the pants. Measure your back bodice piece and add on 15cm or so to calculate the length of zip you’ll need). Then hey presto, you have a jumpsuit!
If you’ve made any of these jumpsuits or if you make the Simplicity 1325 jumpsuit Franken-pattern, please leave a link in the comments below, I’d love to see them.
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Disclaimer: The unbiased views expressed in these reviews are my own. I didn’t receive any of these patterns for free and have no affiliation to any of these pattern companies nor to John Smedley Knitwear (although John Smedley, if you happen to read this, I’d happily wax lyrical about your knits in exchange for a few pullis because I LOVE your knitwear!)